Audrey Stone • Jennifer Sirey • Elizabeth Gourlay
Brantner DeAtley • Susannah Auferoth
November 27 – December 20, 2020
Gallery hours are 2 – 4 pm each day; November 28; December 6, 13, 20 or by appointment
Opening day: Friday, November 27, noon – 4pm
Please note: Art is important, but so is your health! To have a safe viewing environment the gallery will limit the number of people within the gallery at one time. Social distancing and masks required.
Why lines? Lines define a structure, give direction, contain, and set free — perhaps what many of us are desiring but possibly lacking during this time of American social and politcal upheaval. The Sublime Line explores the communal grounding and reaching these five mid-career artists navigate in their work. The exhibit delves into how artists use lines to speak directly to viewers; to soothe, to excite, and to allow for re-creation itself while simultaneously pivoting to the architecture of color, space, form and composition. Cycles, relationships and systems are explored in the exhibit, with lines acting as the exo- and endo-scaffolding — to support or wobble, harmonize or clarify, and, hopefully, to elevate.
November 27, 2020
Audrey Stone • Jennifer Sirey • Elizabeth Gourlay
Brantner DeAtley • Susannah Auferoth
November 27 – December 20, 2020
Gallery hours are 2 – 4 pm each day; November 28; December 6, 13, 20 or by appointment
Opening day: Friday, November 27, noon – 4pm
Please note: Art is important, but so is your health! To have a safe viewing environment the gallery will limit the number of people within the gallery at one time. Social distancing and masks required.
Why lines? Lines define a structure, give direction, contain, and set free — perhaps what many of us are desiring but possibly lacking during this time of American social and politcal upheaval. The Sublime Line explores the communal grounding and reaching these five mid-career artists navigate in their work. The exhibit delves into how artists use lines to speak directly to viewers; to soothe, to excite, and to allow for re-creation itself while simultaneously pivoting to the architecture of color, space, form and composition. Cycles, relationships and systems are explored in the exhibit, with lines acting as the exo- and endo-scaffolding — to support or wobble, harmonize or clarify, and, hopefully, to elevate.